In many respects acting as a bridge between indie-pop and shoegazing, with more than a flirtatious glance in dream-pop’s direction, Pale Saints could jangle, and they could rock it out a bit, but they could also conjure up those old familiar shoegazing hallmarks: semi-vague vocals blended sweetly with the main melody; hairs-on-end female backing vocals; shining, swirling guitars. It’s all here on Half Life, Remembered.

You should be starting to get a feel for this by now…